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10 Questions

10 Questions for Kristina Kay Robinson

- By Edward Clifford

The first man Kalo ever loved was a hustler—a killer, too. In that way she was blessed. He taught her two things (more, but this is what she will share): all you got in this life is your balls and your word; play your hand close to your chest. The city Kalo grew up in changes infinitely and infinitesimally by the square foot. Dead men, ghosts, babies, slave ships, the drums, and jewelry (who knows how they got it on board), all these things crowd the sidewalks and jam up all the doorways, which are filled with bullet holes.from ...


Favorite Things

Insiders/Outsiders and the U.S. Stage

- By Len Berkman

(Andrew DeVries, The Other Side of Eden. Courtesy of the artist.)

Among the lesser discussed aspects of “mainstream” theater (and film as well as TV) in the U.S. is its overarching goal to stir proud “insider” feelings in its large-scale audiences. Realism became a major implement in that regard. What could make “us ticket-holders” feel more welcome than the stage’s invisible fourth wall: for us to see and hear through, as we sit invisible in the dark, “flies on the wall,” our only hoped for sounds to be our collective laughter, tears, or resounding climactic applause.

Needless to say, “outsiders” too are invariably, in far smaller numbers, among these audiences....


10 Questions

10 Questions for Anita Felicelli

- By Edward Clifford

Paati lived at the edge of a minor fishing village, in a small gray house darkened by caliginous algae stains that streamed down its outer walls and along the edges of its clay roof tiles. She was their mother’s mother, a stern woman, darker than their mother, with a nose curved and knowing like the beak of a hawk. —from “Tent Cinema,” Volume 60, Issue 4 (Winter 2019)

Tell us about one...


Interviews

10 Questions for Danley Romero

- By Edward Clifford

My mother taught me that music can mean different things each time it is listened to. Sometimes a piece means all the same things it has meant before, but not always. It changes, she told me, depending on where you are in life. “Music is a journey,” she said. “There is a beginning. There’s a middle. There’s an end.” But music never really ends. She said that contradictions don’t always matter in music, that a piece can end and not end because it lingers in your soul and it solidifies into a part of the core of you even if the air you’re breathing gives up all...



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