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Interviews

10 Questions for Amaia Gabantxo

- By Edward Clifford

I want to tell you an unlikely story. I'd find it hard to believe if it hadn't happened to me, so I'll understand if you choose to take it with a pinch of salt. I assure you, however, that every word you're about to read is true. I hope you'll be able to take what you need for your own life from this tale.
—from "Bele & Zozo," Volume 62, Issue 1 (Spring 2021)

Tell us about one of the first pieces you wrote.
A few years ago I found a school binder with a story I (aged 7) had no recollection of penning. It was the story of a girl who went to a funeral where everybody in attendance died “of pity and sorrow” except her. Then, at the funerals of all those people who had died in the first funeral,...


Interviews

10 Questions for Munib Khan

- By Edward Clifford

On Main Boulevard, the Ramzan traffic comes to a halt. The car heater makes a whirring noise. A thin layer of fog hovers in front of our Honda City.

On the radio, the singer Junaid Jamshed recites a naat. In an interview, he has said that Pakistani women should stay at home. Now Mama says, If more women worked, the economy might be better. Then I say, The field hands in the countryside are mostly women. Mama makes a face.
—from "Charity," Volume 62, Issue 1 (Spring 2021)

We asked writer Munib Khan the same ten questions we ask our other contributors. He responded with a few of his own.

When did you first get acquainted with fiction?  When did you start to learn English, and how did it manage to become your preferred...


Interviews

10 Questions for Jamaica Baldwin

- By Edward Clifford

Begin with a plant
then an animal. Move
your way up the chain of need
till you’ve learned enough
about sacrifice and scooping poop
to join the ranks of mother.
—from "Naturally," Volume 62, Issue 1 (Spring 2021)

Tell us about one of the first pieces you wrote.
Let’s see. There is one that has always stuck with me. It was about a woman driving to Canada. It was about the threat of violence that women endure and about the weight of beauty ideals, I think. It was a delightfully strange poem. One line went something like, “If my ear was closer to the ground, perhaps I could hear the conversations between the ants. . . But I have killed many of them in my lifetime and nothing is scarier than...


10 Questions

10 Questions for D.M. Gordon

- By Edward Clifford

Write to me—do not text—in your unpracticed hand.
A postcard with a stamp. Write until you run out of room—
up the sides in smaller and smaller letters, dear little e's,
outrageous y's and confusing s's; send a photograph
from "Mosses and Ivies," Volume 62, Issue 1 (Spring 2021)

Tell us about one of the first pieces you wrote.
I wrote poems and short stories on my own in high school, then stopped abruptly in the second week of college when, in my first critique experience ever, the professor used my sonnet to prove that the sonnet was dead, and said of my short story that the writer was psychotic and needed...


Interviews

10 Questions for CJ Evans

- By Edward Clifford

Shattered silverfish bodies in the vanity globes,
they know me. How I hate my body, how it's been

abandoning me. How I look up to the light to not
see mirrored back the emptying cup of my jaw,
—from "To a Wild Place," Volume 62, Issue 1 (Spring 2021)

Tell us about one of the first pieces you wrote.
When I was a senior in high school I was a bit of a mess—getting into all sorts of things I shouldn’t have, not showing up, and was very close to getting kicked out. I was just beginning to read contemporary poetry and listening to spoken word, and there was a teacher that let me do a final project in English class that was, essentially, a groaningly privileged teenager ripoff of Gil Scott-Heron’s...


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