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Interviews

10 Questions for Cherry Lou Sy

- By Edward Clifford

Maria slinked in corners and stood next to objects that did not move, pretending that she was an object. She held on to her growing belly. It wouldn't stop moving, wriggling like a worm exposed to the sun. She tried to wear bigger clothes, pretending that nothing was happening in the area of her stomach, but still, it would not stop.
—from "The Nameless," Vol. 64, Issue 1 (Spring 2023)

Tell us about one of the first pieces you wrote.
One of my earliest memories of writing a piece of fiction was in fifth grade. I was a student in a small school in the Philippines where the principal was also my fifth grade English teacher. I don’t recall now what the prompt was, but I remember writing about the travels of an old galleon...


Interviews

10 Questions for Shanta Lee

- By Edward Clifford

The nanny Fidelia Córdoba kept her rhythm in her tetas. She'd been born on the banks of the River Sipí and she had bulging tetas, small and round like a pair of corozos, with retractile nipples that also had a sense of direction. They were all at once compass-sextant-weather-vane-plumb-line-quadrant-astrolabe-point-you-left-point-you-right, or wherever you need to go but never get you lost kinda nipples.
—from "Fidelia Córdoba" by Amalialú Posso Figueroa, Translated by Jeffrey Diteman and Shanta Lee, Volume 64, Issue 1 (Spring 2023)

Tell us about one of the first pieces you translated.
When I was in Cuba in December 2017, I did a bit of a dive into the work of Nicolás Guillén and tried my hand at translating one of his poems...


Interviews

10 Questions for Chris Campanioni

- By Edward Clifford

Whenever my mom and dad were at the dinner table (the place of memorial and celebration, the place of conversation), I'd ask them about their days. I wanted to imagine their lives without me, their movements and rhythms when I was not there. What I was getting at, though I didn't know it then, was a desire to know what came before me, how I got here.
—from "Magic Marker," Volume 64, Issue 1 (Spring 2023)

Tell us about one of the first pieces you wrote.
I’m often drawn to the task of accounting for “firsts,” which is a lot like asking how we might imbue the everyday with the charge of memory, the significance and ceremony of reproduction. I like to take inventory, imagining them assembled for some...


Interviews

10 Questions for JC Andrews

- By Edward Clifford

I’m so in love with you all of a sudden, you
    machine angel. Angel machine. Because I am still learning
        your new smells. Plastic, salt, animal, finally and still

thinking plastic, salt, animal, finally. Because you are letting
    me stand you up in the shower and wash your hair like you are not
        my mother, like I am not your daughter.
—from "Momma, Refracted," Volume 64, Issue 1

Tell us about one of the first pieces you wrote.
I don’t remember the first time I wrote a poem and took it seriously. I will say, though, that my grandmother used to write letters for me to her...


Interviews

10 Questions for Lauren Hohle

- By Edward Clifford

Hannah doesn't get on-campus housing for the summer, but she doesn't want to go back to Missouri, back to her old life, back in time. The summer before, her first summer after starting college, she sat in basements sipping Budweiser as her formerly bookish friends swapped stories about frat parties. She sat through each Sunday's sermon as the pastor built God's army out of straw men, drew conclusions her professors would have docked her points for.
—from "Inland," Volume 64, Issue 1 (Spring 2023)

Tell us about one of the first pieces you wrote.
I dreamed up a lot of stories when I was young but always kind of froze with the writing-it-down part. I somehow finagled my way into a creative writing independent study...


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