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A Review of An Afro-Indigenous History of the United States

- By Students of Hampshire College

A Review of Kyle T. Mays, An Afro-Indigenous History of the United States. Beacon Press, 2021

This book review was written as a part of Black Natives: Anti-Blackness, Indigeneity, and Decolonization, a course at Hampshire College which focused on Afro-Indigenous scholarship and lived experiences, engaged through discussion, readings and guest speakers. Class members include: Nathacha Almanzar, Jo Ballard, Robert Caldwell (professor), Charles Dent, Shanti Franzoni, Ben Grady, Claire Guillemin, Quinlyn Holder, Anya Krouse, Cassandra C. Linder, Jaclyn Matellian, Kameron Morgan, Cole Richards, Amerah Sawadogo, Sophia...


A Valentine’s Brewquet

- By Marsha Bryant

With its wild fermentation and pour,
The Framboise is a beer to adore.
It stays true to the berry
And fizzes so merri-
ly. Tongue-tickling tartness galore.

Malty forward, this silky Milk Stout
Shows what creamy dark ales are about.
It’s primarily roasty
(Some chocolate, some coffee),
And finishes creamy side out.

Liquid Springtime, this bright Éphémère
Blossoms crisply, lets in light and air.
With its fresh apple taste
And a fine Belgian lace,
‘Tis a cider-meets-wheat ale affair.



O the Coconut Hiwa pursues
That fruit’s dance with mocha, accru-
ing a mouthfeel so light


"Chocolat" Soldiering and the White Myth of Recovery

- By Michael Thurston

A Review of David Diop, At Night All Blood Is Black. Trans. Anna Moschovakis. Farrar, Straus and Giroux, 2020.

Lyricism is, strangely, no stranger to the trenches of the First World War. Whether to contain or to inflame the horrors, writers like Wilfred Owen and Siegfried Sassoon, David Jones and Erich Maria Remarque, Dalton Trumbo and Ford Madox Ford brought rhythm, repetition, and figurative language all to bear on the disquieting experience of the Western Front. Typically, the lyricism counters the horrors: poppies, butterflies, farm fields, or the camaraderie of brothers in arms bear ornament that sets them apart from and (unsuccessfully) shields them from the poisoned...



- By Keith Taylor

Meg Kearney’s All Morning the Crows (The Word Works, 2021).

Shelley begins his famous, “To a Skylark”: “Hail to thee, blithe Spirit! Bird thou never wert. . .” Then for the next few stanzas he works hard to show the “birdiness” of the bird, until he finally gives up in a series of similes (“Like a Poet hidden/In the light of thought . . .”; “Like a high-born maiden/In a palace tower. . .” etc.). By the end of the poem Shelley wants to learn to sing with the bird’s “harmonious madness” so the “world should listen” to him as attentively as he listens to the bird. He’s yet...


The Beers Before New Year's

- By By Marsha Bryant

‘Twas the midst of December: there came forth a cry
From us beer drinkers wond’ring which brews we shall buy
For festivities, feasting, for sitting by fires.
It’s the holidays! Taste all the good that transpires.
‘Tis the time to be stocking your holiday shelf
With the richly full-flavored beers. (Move over, elf!)

First Diwali and Hanukkah offered their light,
And soon Christmas and Kwanzaa make winter nights bright.
O what to my wandering tastebuds appears--
A bodacious selection of holiday beers!
Before dinner, or after, or for a night cap,
Here are beers that will warm you from all o’er the map.

From England, from Iceland in courses they came,
And I savored the labels and called...

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