
Volume 40, Issue 3
Entries
fiction
Three Portraits, in color
By Jerome Liebling
nonfiction
Africa is People, a speech
By Chinua Achebe
poetry
James Baldwin; Praise-Song for James Baldwin
By Andrew Salkey
nonfiction
Stokely Carmichael to Kwame Ture (1941-1998): "Infinitely political, infinitely human"
By Michael (Ekwueme) Thelwell
essay
Mosaic Memory: Auto/biographical Context(s) in John Edgar Wideman's 'Brothers and Keepers'
By Heather Andrade
poetry
Chain
By Susan Donnelly
nonfiction
Barley
By John Salter
poetry
The Unimportant Lila Parr
By Manuel Munoz
poetry
Ghazal for Josey
By Jill McDonough
poetry
Practice, a memoir
By James Morrison
poetry
About the Man Who Jumped from the Bridge
By Nancy Carol Moody
nonfiction
Crybaby Butch
By Judith Frank
nonfiction
Traffic of our Stage: Why 'Waiting for Godot?'
By Normand Berlin
fiction
My Wife's Therapist
By Angelo Verga
fiction
Life is a Caravanserai Has Two Doors I Came in One I Went Out the Other
By Emine Sevgi Ozdamar
poetry
The Impression of Elsewhere
By Michael Teig
poetry
Dedication to Leonard Baskin
nonfiction
Preface to the 40th Anniversary Issue
By Jules Chametzky
art
John Edgar Wideman, portrait
By Jerome Liebling
Table of Contents
Three Portraits, in color,
Art by Jerome Liebling
Africa is People, a speech,
Non-Fiction by Chinua Achebe
James Baldwin; Praise-Song for James Baldwin,
Poetry by Andrew Salkey
Mosaic Memory: Auto/biographical Context(s) in
John Edgar Wideman's 'Brothers and Keepers',
Non-Fiction by Heather Andrade
Chain, Poetry by Susan Donnelly
Barley, Fiction by John Salter
The Unimportant Lila Parr,
Fiction by Manuel Munoz
Ghazal for Josey,
Poetry by Jill McDonough
Practice, a memoir,
Non-Fiction by James Morrison
About the Man Who Jumped from the Bridge,
Fiction by Nancy Carol Moody
Crybaby Butch, Fiction by Judith Frank
Traffic of our Stage: Why 'Waiting for Godot?',
Non-Fiction by Normand Berlin
My Wife's Therapist, Poetry by Angelo Verga
Life is a Caravanserai Has Two Doors I Came in
One I Went Out the Other,
Fiction by Emine Sevgi Ozdamar,
Translated from the German by Luise von Flotow
The Impression of Elsewhere, Poetry by Michael Teig
Dedication to Leonard Baskin,
Preface to the 40th Anniversary Issue,
Non-Fiction by Jules Chametzky
John Edgar Wideman, portrait, Cover Art by Jerome Liebling