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Front Cover by Barry Moser
W.E.B. Du Bois, 2008
4.25 X 6.25 INCHES
Created especially for the Massachusetts Review
Order a copy nowFront Cover by Barry Moser
W.E.B. Du Bois, 2008
4.25 X 6.25 INCHES
Created especially for the Massachusetts Review
Order a copy nowBARRY MOSER'S striking new image ofW. E. B. Du Bois on the cover of this issue serves as a vivid reminder of one of this magazine's guiding spirits. It is sometimes difficult to remember, given Du Bois' international influence and his general residence on planet Earth, that he was born and raised in Great Barrington, Massachusetts, and went on to earn the first PhD conferred by Harvard University on an African American. Du Bois was still alive when the Massachusetts Review was founded, and for the Spring issue of 1960 he contributed an article, "A Negro Student at Harvard at the End of the Nineteenth Century." The library at the University of Massachusetts is named for him, as is the Department of Afro-American Studies.
MR has published at least nine articles concerned primarily with Du Bois and his work, notably John Hope Franklin's "personal memoir" and Ernest Allen Jr.'s meditation on double consciousness. As the magazine became more involved with the Civil Rights movement, attracting contributors like the Reverend Martin Luther King in 1962, the spirit of Du Bois took even deeper root. As a thinker he is notable for the flexibility of his approaches. If one method reached a dead end, he'd find another way to get closer to the heart of the matter.
And here we are, still wrestling with questions of race and democracy. Du Bois was born only three years after Emancipation, but as we ponder Barry Moser's rendition of that face so effervescent with curiosity, can we find distant fore knowledge of a black presidential nominee, who may even have a chance of winning?
David Lenson
for the editors
Introduction, by David Lenson
Mr. Vesey Comes to Work,
Fiction by J. Weintraub
Revolutionaries, Poetry by Doug Anderson
(People Almost Always Smell Good
in the Art Museum), a play by Julian Olf
Crowded Rooms, Poetry by Karen Kevorkian
The Way the Vase Got Broken,
Fiction by Francine Witte
Every Shot, Every Episode, 2001,
Poetry by Melissa Shook
A Woman in the News, Fiction by Jo Neace Krause
Blessed Be Creation and Words to the Bereaved,
Poetry by Sarah Gemmill
Invasion: Evening: Two, Fiction by Thomas Glave
Stairs, Poetry by Brandon Krieg
The Contents of this Shoe Box Are of Greater
Worth Than Your Life, Fiction by Sean Casey
Peer Into, Poetry by Nick Courtright
Portraits, Art by Barry Moser
Breaking Point, Nonfiction by Michael Carolan
Snowdrop, Poetry by Louise Mathias
The Last King of China, Fiction by Mike Antosia
Case study: rain, Poetry by Ron Winkler,
translated by J. D. Schneider
The Sorry Line, Poetry by Alexandra Budny
The Bicycle Lesson, Fiction by Ellen Prentiss Campbell
Tsuchiyama, Poetry by Kathy Dull
Zócalo, Fiction by Katherine Longstreet
The Sound Barrier, Poetry by John Witte
They Keep Falling, Fiction by Ingrid Satelmajer
Traffic of Our Stage: Pinter's The Homecoming,
Nonfiction by Normand Berlin
Crave, Poetry by Patricia Colleen Murphy
Letter to Send, Poetry by Taije Silverman
Africa under Her Skin, Fiction by Jeffrey Drayer