Volume 42, Issue 1

Contributors

Dick Allen is the author of Ode to the Cold War: Poems New and Selected (Sarabande, 1997). His awards include the National Endowment for the Arts Fellowship in Poetry Writing and an Ingram Merrill Poetry Writing Fellowship.

Brian Ames’s short fiction has appeared in the South Dakota Review, Happy, The Melic Review, and Snow Monkey.

Tama Baldwin’s work has appeared in Poetry, Georgia Review, and Antioch, among others. Her work is forthcoming in Notre Dame Review, Many Mountains Moving, and Spillway.

Helen Barolini’s publications include Umbertina and The Dream Book: an Anthology of Writings by Italian American Women (American Book Award, 1986). She recently received the MELUS Lifetime Achievement Award.

Normand Berlin is the author of five books on drama and numerous essays ranging from medieval poetry to modern drama and film.

Eula Biss lives in Brooklyn and teaches creative writing to junior high students in the Bronx. Her first book, The Year of the Balloonists, will be published by Hanging Loose Press in Winter 2001-2002.

Marianne Boruch’s most recent poetry collection is A Stick that Breaks and Breaks.

Sarah Buttenwieser is a graduate of Hampshire College and the MFA Program for Writers at Warren Wilson College. Her short fiction has appeared in Kalliope, Southwest Review, and The Georgia Review.

Michael Casey teaches a course on American Vietnam War Narratives at University of Massachusetts-Lowell. His publications include The Million Dollar Hole, Millrat, and Obscenities.

Susan L. Feldman currently has an essay in Ontario Review and Southern Humanities Review. Work is forthcoming in Epoch, Northwest Review, and Connecticut Review.

Sarah Getty’s publications include The Hand of Milk and Honey (University of South Carolina Press, 1996). Poems have appeared in The Paris Review and fiction in The Iowa Review.

Daniel Hayes has published fiction in TriQuarterly, Glimmer Train, nerve.com, Epoch, and Story.

John Hennessy’s poems have appeared in The Sewanee Review, Ontario Review, Poetry Northwest, Connecticut Review, and The Greensboro Review.

Tony Hoagland’s most recent book of poems is Donkey Gospel.

Amy Kolen received her MFA from the University of Iowa’s Nonfiction Writing Program. She lives in Iowa City and is working on a collection of personal narratives.

Jill McDonough received her MFA from Boston University and is currently a poetry Fellow at the FAWC in Provincetown. Her work has appeared in Harvard Review, Slate, Poetry, and Atlanta Review, among others.

Rose-Myriam Réjouis teaches Francophone Literature at Sarah Lawrence College. She is translator, with Val Vinokurov, of Texaco and Solibo Magnifique, two novels by Patrick Chamoiseau.

Edith Shillue teaches at the University of Massachusetts-Boston. “Easter” is excerpted from her memoir Peace Comes Dropping Slow: Seeing Northern Ireland.

Susan Steinberg received an MFA from the University of Massachusetts-Amherst. She teaches at Central Missouri State University where she is an editor at Pleiades. Her stories have appeared in The Gettysburg Review, Denver Quarterly, Quarterly West, and Indiana Review, among others.

Virgil Suarez teaches creative writing at Florida State University. His publications include In the Republic of Longing and Palm Crows.

Miles Wilson’s fiction and poetry have appeared in journals including The Georgia Review, The Iowa Review, and Poetry. His collection of short stories Line of Fall won the 1989 John Simmons Short Fiction Award. A collection of poems is forthcoming from University of Nevada Press in 2002.

Scott Withiam teaches writing at The Massachusetts Maritime Academy. His poems have most recently appeared in River Styx, Sycamore Review, Harvard Review, Field, and The Sun. Work is forthcoming in Green Mountains Review, Pleiades, and Ploughshares, among others.