About

Mission: In these uncertain times, the Massachusetts Review promotes social justice and equality, along with great art. Committed to aesthetic excellence as well as public engagement, MR publishes literature and art to provoke debate, inspire action, and expand our understanding of the world around us.

Founded in 1959 by a group of professors from the University of Massachusetts Amherst, Amherst College, Mount Holyoke, and Smith, the Massachusetts Review is one of the nation’s leading literary magazines, distinctive in joining the highest level of artistic concern with pressing public issues. As The New York Times observed, “It is amazing that so much significant writing on race and culture appears in one magazine.”  MR was named one of the top ten literary journals in 2008 by the Boston Globe.

A 200-page quarterly of fiction, poetry, essays, and the visual arts by both emerging talents and established authors, including Pulitzer and Nobel prizewinners, special issues have covered women’s rights, civil rights, and Caribbean, Canadian, and Latin American literatures.

MR‘s history of significant criticism includes major work on W.E.B. Du Bois, James Baldwin, Henry David Thoreau, Nathaniel Hawthorne, and Grace Paley. An Egypt issue, published just after 9/11, focused on the social, national, religious, and ethnic concerns of that nation, and encouraged readers to look beyond stereotypes of terrorism and racism. As part of the run-up to its Fiftieth birthday, MR published a landmark issue on queer studies at the beginning of 2008 (Volume 49 Issue 1&2). Our special double issue for Fall/Winter 2011 was entitled “Casualty” and documented—in art, prose and poetry—the enduring cost of war.


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The Massachusetts Review is edited by a highly talented and diverse group of writers and teachers, centered in the Five Colleges area of Western Massachusetts and throughout the country. Our offices are at the University of Massachusetts in Amherst. For more information about the editors, please click their names.

To contact individual editors, write to the editorial office (NEW ADDRESS: Massachusetts Review, 400 Venture Way, Hadley, MA 01035) or email massrev@external.umass.edu.

Britt Rusert, Executive Editor

ART
Pam Glaven, Art Director
Mario Ontiveros, Art Editor

POETRY
Nathan McClain, Poetry Editor
Abigail Chabitnoy, Poetry Editor

PROSE
F. Orlandi, Prose Editor
Jim Hicks
Prose Editor
Asha Nadkarni, Prose Editor
Jemimah James Wei, Prose Editor

PUBLIC AFFAIRS
Shailja Patel, Multigenre Editor

TRANSLATION
Mona Kareem, Poetry-in-Translation Editor
Corine Tachtiris, Prose-in-Translation Editor

PERFORMANCE
Dominic Taylor, Theater Editor

REVIEWS
Richie Wills, Reviews Editor

Michael Thurston, Poetry Reviews Editor

SUBMISSIONS READERS
Robin Arble

Syki Barbee
Corinne Demas

Mike Dockins
Robert Dow
Daniel Landers
Sophia Lauer

Vika Mujumdar
Rashmitha Muniandi
Paige Passantino
Nate Pinkham
Ide Thompson
Katherine Ward

STAFF
Emily Wojcik, Business Manager

Edward Clifford, Managing Editor
Franchesca Viaud, Assistant Editor
Suzanne Bagia, Intern

Jules Chametzky, Founding Editor

From the Blog

April/May/June 2025 Contributor Publications

Elise Paschen’s latest collection is Blood Wolf Moon, our from Red Hen. Her poem “Heritage” appeared in our A GATHERING OF NATIVE VOICES issue back in 2020. BOA Editions recently published Lonely Women Make Good Lovers, the latest collection from poet Keetje Kuipers, whose poem “I, Too, Took Pictures of My Body” . . .

My Sister Asks Me For A Star

After months of war in my neighborhood of Al-Shujaiya—a place that was once full of life and laughter—everything was gone. No homes, no people, no signs of the world we once knew. After the third invasion, it became a ghost town, buried in silence and rubble. During the genocide, before we had . . .

10 Questions for Sumana Roy

“I have collected words for air in languages I know and want to know. Hawa, air, wind, foo, aire, breeze . . . I say the words consciously—to note how my mouth and its insides behave as I pronounce them. It opens, to let air in and out. Every morning I open . . .

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