Volume 48, Issue 4

FRONT COVER: Bethan Huws
Untitled, 2000
75 X 50 X 4.5 CM
Private Collection, Germany & Switzerland
HISTORY IS A TRAP. President Bush, with his blowtorch gaze on Iran, utters the magic words “World War III,” and we had better get behind them. The desire to avoid World War III is “cut and run,” and can only give comfort to the enemies of peace, freedom, and democracy. We must not stand down from our mission, which is to kill a lot of people, if not all of them.
But this takes troops. An invasion of Iran means conscription. It’s in my students’ eyes, their growing anxiety about a war that, for them, is not only endless but beginningless. It started when they were preteens, a trap history laid for them. They have nowhere to hide: surveyed prenatally by ultrasound, and then by baby monitors, and then by security cameras everywhere, these kids are on the spot. Who else is left to go to Iran?
There is a flaw in human nature that causes our weapons to fire themselves, that makes us build eyes to stare back at us, that uses ingenuity to end ingenuity. Dylan Thomas wrote, “The force that through the green fuse drives the flower/Drives my green age; that blasts the roots of trees/Is my destroyer.” Death and Eros wind into a Möbius strip. It is how we are made.
Let’s not say: “We have seen it all. We have seen the end of the world and lived through that. Get over it. You’ll die and then return to your work and shopping. The serpent pupil that stares at you in the dark cares for you deeply. You’ll have robots and inconceivable toys.”
Let’s say something else. Like: “History is not a trap.” Whether or not it’s true.
David Lenson
for the editors
Table of Contents
Introduction, by David Lenson
Terra incognita; The forecast; and Troubled times, Poetry by Bob Hicok
The Insurance Adjuster, Fiction by T.L. Toma
The evening, Poetry by John Emil Vincent
Sergeant Pepper’s Meter Maid, Nonfiction by Ramsey Scott
For the Sightsingers, Poetry by Muriel Nelson
The Skeleton, Fiction by Wendy Rawlings
Incantation to Raise the Dead, Poetry by Brian Hayter
Language, Non-Fiction by Kathleen Spivack
Window Sill, Poetry by Nina Payne
King of the Gypsies, Fiction by Lenore Myka
Word Vitrines, Art by Bethan Hews
Immigrant Song, Poetry by Fady Joudah
Burning at Nooksak, Non-Fiction by Janet Yoder
Lady Macbeth in the Caucasus, Poetry by Katherine Young
Infestation, Fiction by Amy Bordiuk
Inspiration, Poetry by Nancy Sherman
Traffic of Our Stage: A Moon for the Misbegotten, Non-Fiction by Normand Berlin
Not Quite Like a Raisin, Poetry by Maya May
The Artist Wears Rough Clothing and Carries Jade Inside, Fiction by Robert Wexelblatt
You Get to Hold, Poetry by Donald Morrill
Something Special In The Air, Non-Fiction by Cassandra McGovern
Contributors
Normand Berlin is the author of five books on drama, including The Secret Cause: A Discussion of Tragedy (UMass Press), Eugene O’Neill (Macmillan, Grove, St. Martins), and O’Neill’s Shakespeare (Michigan). He is the Theater Editor of the Massachusetts Review.
Amy Bordiuk is the managing editor of a medical journal outside Boston. Her short stories have appeared in Michigan Quarterly Review, Florida Review, Other Voices, and two previous issues of the Massachusetts Review.
Brian Hayter has a poem forthcoming in Paper Street. He has published previously in Seattle Review, Madison Review, and Hayden’s Ferry. He is assistant editor of Spillway Poetry Journal.
Bob Hicok‘s most recent book is This Clumsy Living (Pitt, 2007).
The work of Welsh artist Bethan Huws was featured at the 2003 Venice Biennale. She is the recipient of the 2006 B.A.C.A. Europe Laureate prize, which recognizes outstanding European artists in midcareer. She has had solo exhibitions in Europe at the Kunsthalle Bern and Tate Modern.
Fady Joudah is a Palestinian American physician, member of Doctors Without Borders, and translator of Mahmoud Darwish’s recent poetry, collected in The Butterfly’s Burden from Copper Canyon Press. His first book of poetry is the winner of the Yale Series for Younger Poets (2007): The Earth in the Attic.
maya may‘s poetry has appeared or is forth coming in Quercus Review, Roanoke Review, The Pinch, Pearl, Skidrow Penthouse, and Hanging Loose. She recently finished the MFA program at the University of Miami and now lives in Buenos Aires.
Cassandra McGovern lives in Tucson and the Chicago area. She earned an MA and a PhD in counseling from Northwestern University, with a dissertation on assertiveness training. A former reference librarian, she has been awarded grants to study illuminated manuscripts in five European countries, and a Fulbright to contrast illuminations with scrolls in the People’s Republic of China. Her work has appeared in Prairie Voices and Westview.
Donald Morrill is the author of two books of poetry, With Your Back to Half the Day and At the Bottom of the Sky, as well as three volumes of nonfiction: The Untouched Minutes, Sounding for Cool, and A Stranger’s Neighborhood. He is Interim Dean of the College of Arts and Letters at the University of Tampa.
Lenore Myka‘s work is forthcoming in Talking River Review and the fiction anthology Fenway Fiction: Volume II. She is currently enrolled in the MFA Program for Writers at Warren Wilson College. She lives in Somerville, MA.
Muriel Nelson has two collections of poems, Part Snag (Bear Star Press, 1999) and Most Wanted (Byline Press, 2003). Her work has been nominated twice for the Pushcart Prize and has appeared in the New Republic, Ploughshares, Beloit Poetry Journal, Seneca Review, Northwest Review, and others. She teaches at Pierce College in Washington State.
Nina Payne (1932-2006) was a poet, an author of children’s books, a creator of fiber art and sculpture, and a professor of creative writing at Hampshire College, where she taught from 1977 to 1997. Her poems first appeared in these pages in 1980. Photographs of her fiber art with accompanying essay were featured in a special section in 1996.
Wendy Rawlings is the author of Come Back Irish (Ohio State University Press, 2001) and The Agnotistics, forthcoming from the University of Michigan Press. Her stories have appeared in Tin House, the Atlantic Monthly, and other magazines.
Ramsey Scott is a student at the Graduate Center, CUNY, and a resident of Berkeley, CA. He likes writing prose.
Nancy Sherman is a writer and editor living in Whately, Massachusetts.
Kathleen Spivack is the author of The Break Up Variations and The Beds We Lie In (both from Scarecrow, 1986). She teaches at Santa Fe, Aspen, Skidmore, and other programs throughout the United States and abroad.
T. L. Toma‘s stories have appeared in Black Warrior Review, Fiction International, and The Quarterly. His novel Border Drive was published by Southern Methodist University Press. He lives in St. Louis.
John Emil Vincent is a poet and critic. He has published poetry in Beloit Poetry Journal, American Literary Review, Spork, and elsewhere. His most recent critical book is John Ashbery and You: His Later Books (University of Georgia Press).
Robert Wexelblatt is professor of humanities at Boston University’s College of General Studies. He has published essays, stories, and poems in a wide variety of journals as well as three books: Life in the Temperate Zone, Professors at Play: Essays, and The Decline of Our Neighborhood.
Janet Yoder lives in Lushootseed Territory with her husband on a floating home in Seattle. She is currently at work on a book of personal essays about Upper Skagit elder Vi Hilbert. She hopes that “Burning at Nooksak” will invite readers into the rich world of this remarkable woman.
Katherine E. Young‘s poetry has appeared in Poet Lore, Shenandoah, Southern Poetry Review, and others. For the last twenty-five years, Young has lived on and off in Russia and the former Soviet Union as a journalist, diplomat, business owner, and student of Russian poetry. A chapbook, Gentling the Bones, is forthcoming from Finishing Line Press.