About

Mission: In these uncertain times, the Massachusetts Review promotes social justice and equality, along with great art. Committed to aesthetic excellence as well as public engagement, MR publishes literature and art to provoke debate, inspire action, and expand our understanding of the world around us.

Founded in 1959 by a group of professors from the University of Massachusetts Amherst, Amherst College, Mount Holyoke, and Smith, the Massachusetts Review is one of the nation’s leading literary magazines, distinctive in joining the highest level of artistic concern with pressing public issues. As The New York Times observed, “It is amazing that so much significant writing on race and culture appears in one magazine.”  MR was named one of the top ten literary journals in 2008 by the Boston Globe.

A 200-page quarterly of fiction, poetry, essays, and the visual arts by both emerging talents and established authors, including Pulitzer and Nobel prizewinners, special issues have covered women’s rights, civil rights, and Caribbean, Canadian, and Latin American literatures.

MR‘s history of significant criticism includes major work on W.E.B. Du Bois, James Baldwin, Henry David Thoreau, Nathaniel Hawthorne, and Grace Paley. An Egypt issue, published just after 9/11, focused on the social, national, religious, and ethnic concerns of that nation, and encouraged readers to look beyond stereotypes of terrorism and racism. As part of the run-up to its Fiftieth birthday, MR published a landmark issue on queer studies at the beginning of 2008 (Volume 49 Issue 1&2). Our special double issue for Fall/Winter 2011 was entitled “Casualty” and documented—in art, prose and poetry—the enduring cost of war.


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The Massachusetts Review is edited by a highly talented and diverse group of writers and teachers, centered in the Five Colleges area of Western Massachusetts and throughout the country. Our offices are at the University of Massachusetts in Amherst. For more information about the editors, please click their names.

To contact individual editors, write to the editorial office (NEW ADDRESS: Massachusetts Review, 400 Venture Way, Hadley, MA 01035) or email massrev@external.umass.edu.

Britt Rusert, Executive Editor

ART
Pam Glaven, Art Director
Mario Ontiveros, Art Editor

POETRY
Nathan McClain, Poetry Editor
Abigail Chabitnoy, Poetry Editor

PROSE
F. Orlandi, Prose Editor
Jim Hicks
Prose Editor
Asha Nadkarni, Prose Editor
Morgan Talty, Prose Editor
Jemimah James Wei, Prose Editor

PUBLIC AFFAIRS
Shailja Patel, Multigenre Editor

TRANSLATION
Mona Kareem, Poetry-in-Translation Editor
Corine Tachtiris, Prose-in-Translation Editor

PERFORMANCE
Mark Franko, Dance Editor
Carl Hancock Rux, Multidisciplinary Editor
Dominic Taylor, Theater Editor

REVIEWS
Richie Wills, Reviews Editor

Michael Thurston, Poetry Reviews Editor

SUBMISSIONS READERS
Robin Arble

Syki Barbee
Corinne Demas

Mike Dockins
Robert Dow
Daniel Landers
Sophia Lauer

Vika Mujumdar
Rashmitha Muniandi
Paige Passantino
Nate Pinkham
Ide Thompson
Katherine Ward

STAFF
Emily Wojcik, Business Manager

Edward Clifford, Managing Editor
Franchesca Viaud, Assistant Editor
Suzanne Bagia, Intern

Jules Chametzky, Founding Editor

From the Blog

(Another) 10 Questions for Elizabeth Knapp

Whenever I feel like an outsiderlooking in, I draw a circle around myselfwith imaginary chalk & pretendI’m the center of the universe.—from “Can America’s Democracy Be Saved?,” Volume 66, Issue 1 (Spring 2025) Tell us about one of the first pieces you wrote. I wrote what I consider one of my first real . . .

10 Questions for Robbie Herbst

Ashley crouched before her pram, settling Jack into the seat and fixing his face. In the dim light of her home, it was difficult to judge the effect. Heavy shades were drawn on all the windows, and she sat under a single yellowed skylight that dripped light over the linoleum like water . . .

We Are What We Create

A Review of Nnedi Okorafor’s Death of the Author “Creation flows both ways” remarks Ankara, the robot and author of the novel embedded within Nnedi Okorafor’s latest speculative masterpiece, Death of the Author. This sentiment, something “humanity could never bring itself to believe,” is a prescient reminder that the act of creation . . .

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