About

Mission: In these uncertain times, the Massachusetts Review promotes social justice and equality, along with great art. Committed to aesthetic excellence as well as public engagement, MR publishes literature and art to provoke debate, inspire action, and expand our understanding of the world around us.

Founded in 1959 by a group of professors from the University of Massachusetts Amherst, Amherst College, Mount Holyoke, and Smith, the Massachusetts Review is one of the nation’s leading literary magazines, distinctive in joining the highest level of artistic concern with pressing public issues. As The New York Times observed, “It is amazing that so much significant writing on race and culture appears in one magazine.”  MR was named one of the top ten literary journals in 2008 by the Boston Globe.

A 200-page quarterly of fiction, poetry, essays, and the visual arts by both emerging talents and established authors, including Pulitzer and Nobel prizewinners, special issues have covered women’s rights, civil rights, and Caribbean, Canadian, and Latin American literatures.

MR‘s history of significant criticism includes major work on W.E.B. Du Bois, James Baldwin, Henry David Thoreau, Nathaniel Hawthorne, and Grace Paley. An Egypt issue, published just after 9/11, focused on the social, national, religious, and ethnic concerns of that nation, and encouraged readers to look beyond stereotypes of terrorism and racism. As part of the run-up to its Fiftieth birthday, MR published a landmark issue on queer studies at the beginning of 2008 (Volume 49 Issue 1&2). Our special double issue for Fall/Winter 2011 was entitled “Casualty” and documented—in art, prose and poetry—the enduring cost of war.


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The Massachusetts Review is edited by a highly talented and diverse group of writers and teachers, centered in the Five Colleges area of Western Massachusetts and throughout the country. Our offices are at the University of Massachusetts in Amherst. For more information about the editors, please click their names.

To contact individual editors, write to the editorial office (NEW ADDRESS: Massachusetts Review, 400 Venture Way, Hadley, MA 01035) or email massrev@external.umass.edu.

Britt Rusert, Executive Editor

ART
Pam Glaven, Art Director
Mario Ontiveros, Art Editor

POETRY
Nathan McClain, Poetry Editor
Abigail Chabitnoy, Poetry Editor

PROSE
Francesca Bellei, Prose Editor
Asha Nadkarni, Prose Editor
Jemimah James Wei, Prose Editor

PUBLIC AFFAIRS
Shailja Patel, Multigenre Editor

Francesca Bellei, Prose Editor

TRANSLATION
Mona Kareem, Poetry-in-Translation Editor
Corine Tachtiris,Prose-in-Translation Editor
Jack Saebyok Jung,Translation Editor

PERFORMANCE
Dominic Taylor, Theater Editor

REVIEWS
Richie Wills, Reviews Editor

Michael Thurston, Poetry Reviews Editor

SUBMISSIONS READERS
Assemay Almazbekkyzy

Isabel Cruz
Corinne Demas

Mike Dockins
Robert Dow
Paige Passantino
Nate Pinkham
Mary Luna Robledo
Ide Thompson

STAFF
Emily Wojcik, Business Manager

Edward Clifford, Managing Editor
Franchesca Viaud, Assistant Editor

G. Ziegel, Editorial Assistant

Jules Chametzky, Founding Editor

From the Blog

Night Night, and Fuck You

A Review of Night Night Fawn (One World 2026) by Jordy Rosenberg. Among many human beings it is customary—has been, for a long time, in all kinds of places—for the act of giving birth to convey upon the birther a combined legal standing, quasi-proprietary status, cultural role, and economic function known as “motherhood.” If . . .

10 Questions for Bijaan Noormohamed

This county town’s famine is faraway, and mooring here is so miserable. Themountains advance from the south, the Yangtze’s gurgle carries up northward. —from 峡江县 (XIAJIANG COUNTY) and 黄金洲 (GOLDEN ISLAND), poems by Zhang Xun, translated by Bijaan Noormohamed (Volume 65, issue 3) Tell us about one of the first pieces you . . .

When the Past Feels Present: Teaching Argentina’s Official Story in the U.S.

On March 24, 2026, as Argentinians prepare to commemorate the fiftieth anniversary of the coup d’etat that initiated the Proceso de Reorganización Nacional—the country’s bloodiest and most violent dictatorship in its history—I want to revisit La historia oficial [The Official Story] (1985), the award-winning film directed by Luis Puenzo which exposes the . . .

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