About

Mission: In these uncertain times, the Massachusetts Review promotes social justice and equality, along with great art. Committed to aesthetic excellence as well as public engagement, MR publishes literature and art to provoke debate, inspire action, and expand our understanding of the world around us.

Founded in 1959 by a group of professors from the University of Massachusetts Amherst, Amherst College, Mount Holyoke, and Smith, the Massachusetts Review is one of the nation’s leading literary magazines, distinctive in joining the highest level of artistic concern with pressing public issues. As The New York Times observed, “It is amazing that so much significant writing on race and culture appears in one magazine.”  MR was named one of the top ten literary journals in 2008 by the Boston Globe.

A 200-page quarterly of fiction, poetry, essays, and the visual arts by both emerging talents and established authors, including Pulitzer and Nobel prizewinners, special issues have covered women’s rights, civil rights, and Caribbean, Canadian, and Latin American literatures.

MR‘s history of significant criticism includes major work on W.E.B. Du Bois, James Baldwin, Henry David Thoreau, Nathaniel Hawthorne, and Grace Paley. An Egypt issue, published just after 9/11, focused on the social, national, religious, and ethnic concerns of that nation, and encouraged readers to look beyond stereotypes of terrorism and racism. As part of the run-up to its Fiftieth birthday, MR published a landmark issue on queer studies at the beginning of 2008 (Volume 49 Issue 1&2). Our special double issue for Fall/Winter 2011 was entitled “Casualty” and documented—in art, prose and poetry—the enduring cost of war.


Masthead

The Massachusetts Review is edited by a highly talented and diverse group of writers and teachers, centered in the Five Colleges area of Western Massachusetts and throughout the country. Our offices are at the University of Massachusetts in Amherst. For more information about the editors, please click their names.

To contact individual editors, write to the editorial office (NEW ADDRESS: Massachusetts Review, 400 Venture Way, Hadley, MA 01035) or email massrev@external.umass.edu.

Britt Rusert, Executive Editor

ART
Mario Ontiveros, Art Editor

POETRY
Nathan McClain, Poetry Editor
Abigail Chabitnoy, Poetry Editor

PROSE
Francesca Bellei, Prose Editor
Asha Nadkarni, Prose Editor
Jemimah James Wei, Prose Editor

PUBLIC AFFAIRS
Shailja Patel, Multigenre Editor

Francesca Bellei, Prose Editor

TRANSLATION
Mona Kareem, Poetry-in-Translation Editor
Corine Tachtiris, Prose-in-Translation Editor
Jack Saebyok Jung,Translation Editor

PERFORMANCE
Dominic Taylor, Theater Editor

REVIEWS
Richie Wills, Reviews Editor

Michael Thurston, Poetry Reviews Editor

SUBMISSIONS READERS
Assemay Almazbekkyzy

Isabel Cruz
Corinne Demas

Mike Dockins
Robert Dow
Paige Passantino
Nate Pinkham
Mary Luna Robledo
Ide Thompson

STAFF
Emily Wojcik, Business Manager

Rebecca Neimark, Designer
Edward Clifford, Managing Editor
G. Ziegel, Editorial Assistant

Jules Chametzky, Founding Editor

From the Blog

Interview with Shira Erlichman

“Who needs it? Eyes rolled back, hand planted thickin lemon cake. Sure. Let’s call it lemoncake. She hives and dissolves, an unearthing…” —from Shira Erlichman’s “Nude IV” (Volume 67, issue 1) What’s been inspiring you recently?  The On the Calculation of Volume series by Solvej Balle. Reading the first novel was a . . .

Reading + Interview with Sabrina Jaszi

Note: This is an edited transcription of a longer interview, which is available in full here (music by Nicolaas Stulting): Tell us about your relationship to translation, especially between Russian + English. I’ve always been a massive reader and lover of language and words. And once I had even the smallest foothold . . .

Ramadan in Gaza

Since 2014, Ramadan in Gaza has repeatedly arrived under the shadow of war. From Israel’s attack in 2014, to the escalation in 2021, and the ongoing genocide that has cast its shadow over the holy months of 2024, 2025, and 2026, for more than a quarter of the past decade the sacred . . .

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