Mass Reviews

When the Past Feels Present: Teaching Argentina’s Official Story in the U.S.

When the Past Feels Present: Teaching Argentina’s Official Story in the U.S.

On March 24, 2026, as Argentinians prepare to commemorate the fiftieth anniversary of the coup d’etat that initiated the Proceso de Reorganización Nacional—the country’s bloodiest and most violent dictatorship in its history—I want to revisit La historia oficial [The Official Story] (1985), the award-winning film directed by Luis Puenzo which exposes the . . .

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Review of Brahim El Guabli’s Desert Imaginations: A History of Saharanism and Its Radical Consequences

Review of Brahim El Guabli’s Desert Imaginations: A History of Saharanism and Its Radical Consequences

“The Sahara,” articulates Maysa Abou-Youssef Hayward in her study of the desert in Arabic verse, “represents a location marked by fear, loss, exile, and emptiness, the result of destruction.” In Desert Imaginations: A History of Saharanism and Its Radical Consequences (University of California Press, 2025) Brahim El Guabli argues that this idea . . .

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Square Peg, Round Hole

Square Peg, Round Hole

A review of Uncanny Valley Girls: Essays on Horror, Survival, and Love (Harper Perennial 2025) by Zefyr Lisowski and Scream with Me: Horror Films and the Rise of American Feminism (1968-1980) (Atria 2025) by Eleanor Johnson. I used to think I didn’t like horror films, but then, thirteen years ago, I met . . .

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Fireside Beers

Fireside Beers

              Where there’s ice, it’s cool for two.              For two: so I let you come.              A breath as of fire was around you— —Paul Celan When it’s cold, find some warmth by the fire.Pour . . .

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The Most Dangerous Man in America*

The Most Dangerous Man in America*

A review of Truth and Consequence: Reflections on Catastrophe, Civil Resistance, and Hope (Bloomsbury 2026) by Daniel Ellsberg From the time Daniel Ellsberg was barely more than a toddler, his mother—a domineering woman whose love was conditional on obedience to her wishes—was determined that Ellsberg would become a world-class concert pianist. Thus, instead . . .

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The Magicians: A Review

The Magicians: A Review

Review of Wunpini Fatimata Mohammed’s Media, Culture, and Decolonization: Re-righting the Subaltern Histories of Ghana (Rutgers University Press, 2025) Wunpini Fatimata Mohammed’s Media, Culture, and Decolonization: Re-righting the Subaltern Histories of Ghana is an exploration of the media landscape of Northern Ghana, specifically among the Dagbamba people. Mohammed presents to us a . . .

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A WINTER’S TALE¹

A WINTER’S TALE¹

Reviewing Joshua Colangelo-Bryan’s Through the Gates of Hell. American Injustice at Guantanamo Bay (Humanitas Media, 2025), 224 pp. I. Buddies When you pick up a book written by a lawyer for Guantanamo detainees, knowing that it will contain an account of his work representing those clients, the last thing you expect to . . .

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Holiday Dessert Beers

Holiday Dessert Beers

As the holidays are drawing nigh,And our dinners are richer: piled highWith the vegetables, meats,Cheese, and savory treats,And our bellies are full—then we spy Someone bringing a tray of desserts(One more bite and some tummies might hurt).Well, you know without questionBeer helps with digestion.So try some of these to insert 1.In your . . .

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Memorial Wall

Memorial Wall

A Review of J. Malcolm Garcia’s Alabama Village: Faith, Hope, and Survival in a Southern Town (Seven Stories, 2025) From the get-go, let it be clear: this will be a partisan review. Early on, during the four-year-plus project that became Alabama Village, Malcolm mentioned to me in an email what he was . . .

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A Review of Katharina Volckmer’s Calls May Be Recorded

A Review of Katharina Volckmer’s Calls May Be Recorded

Katharina Volckmer’s second novel, Calls May Be Recorded (Two Dollar Radio, 9/16/25) is a fierce workplace satire that is bold in its exacting focus on those pushed to the margins of this century’s rapidly shifting labor market.  It follows the protagonist Jimmie on a tragicomic gambol through a single day at a . . .

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