Since 2014, Ramadan in Gaza has repeatedly arrived under the shadow of war. From Israel’s attack in 2014, to the escalation in 2021, and the ongoing genocide that has cast its shadow over the holy months of 2024, 2025, and 2026, for more than a quarter of the past decade the sacred . . .
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Destruction in Khan Younis, Gaza. Gaza today appears like a place where crises are not managed but accumulated, where collapse is not accidental but deliberately engineered—in full view of the world. Between the warnings of yesterday and the realities of today, a more unsettling question emerges: are we witnessing the early stages . . .
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Photo by Hossein Zohrevand.“Attack on Gandhi Hospital,” (#15) courtesy of Wikimedia Commons. What is unfolding across West Asia is a colonial project that, if allowed to continue, will ultimately pave the way for a Greater Israel and end any prospects for Palestinian freedom. In October 2003, the recently assassinated Ali Khamenei declared . . .
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Amna (left) and Alaa (right). Note: This is the second of two Public Affairs posts by twin sisters in Gaza, Alaa and Amna Dmeida. The first, by Amna Dmeida, Gaza in the New Year: Countdown to Death, Not Celebration, was published on February 13th. Today we bring you Alaa Dmeida’s powerful memories . . .
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Rubble in Gaza, taken by Farah Rebhy. Our next two public affairs posts, for today and on February 27th, are written by twin sisters in Gaza, Amna and Alaa Dmeida. As Israel’s ongoing genocide continues to sever Palestinian kinship with unfathomable cruelty, Palestinian writers continue to share their stories with heartbreaking courage. . . .
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Taring Padi’s merchandise corner at Hallenbad Ost, Documenta 15, Kassel, Germany, Summer 2022. On the last day of the preview week at Documenta 15 a woman approached our lapak. The stall where we sold emblems, t-shirts, pins, zines and woodcut prints was tucked away in a remote corner of Hallenbad Ost, an . . .
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Reproduced with permission of Kenar Embroidery. During the genocide of Gaza beginning in 2023, the destruction extended beyond lives, land, and buildings into art, culture, heritage and memory. One day, I saw a picture of a Tatreez piece lying above the rubble, it was a stitched map of Palestine. The red threads . . .
Read MoreWhen the first ceasefire of the year was first announced, on January 19th, 2025, at around 10:00 a.m., celebrations broke out all over Gaza. For those who had remained steadfast in the north, the truce meant the killing had finally stopped, and those who had been displaced to the south were celebrating . . .
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My name is Sarah Mahmoud. I was born twenty-eight years ago in Jabalia, northern Gaza. My father was a teacher, and my mother a devoted homemaker, who held our family together with love and patience. I was the youngest of five sisters—Dalal, Hazar, Ghada, and two others. In those days, our home . . .
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This piece first appeared on African Feminism. As people living at the intersection of multiple oppressions, legacies of slavery and colonialism, and neocolonial capture of our nations, we must remain extremely vigilant for erasure and appropriation of our voice and agency. African feminisms cannot exist in spaces where struggles of other colonized . . .
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