And pints that instantly glow,On the counter, in pyramids of crowns…—Émile Verhaeren, trans. Jacob Siefring Tripelicious is how I describeThese Belgian-style beers I imbibe.As I sip golden glow,I will rhyme and bestowApprobations with Tripel Ale vibes. 1St. Vrain is a river and beer.Lightly fruity, the latter will cheer—fully tickle the tipOf your tongue as . . .
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It must be awful to be a Republican these days. So many reasons to be terrified: immigrants flooding across our borders, gender subversion from within, swarthy people rising from below, and so few of “our nation’s core principles” left unassailed. Even Sean Hannity, culture warrior supreme, can’t seem to keep up. How . . .
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A review of Bianca by Eugenia Leigh (Four Way Books, 2023) “Trauma” and “grief,” or rather such shallow incarnations of serious psychological phenomena that they merit air quotes, have become trendy concepts in recent 21st century discourse and media. Movies and television use the traumatic past as a major plot revelation (The Matrix Resurrections, Succession, Yellowjackets), or . . .
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A Review of Under Our Skin, by Joaquim Arena, translated by Jethro Soutar (Unnamed Press, 2023) I like to say that Joaquim Arena’s memoir/travel narrative Under Our Skin, translated by Jethro Soutar and published by Unnamed Press, arrived to me at the perfect time, because I had been learning about extraordinary historical figures from . . .
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A Review of I’ll Give You a Reason by Annell López (The Feminist Press, 2024) Annell López’ short story collection, I’ll Give You a Reason, brings us to the heart of the Ironbound, an immigrant neighborhood in Newark, New Jersey. These stories explore race, colorism, Blackness, identity, sex, and gentrification, among other topics. López gives . . .
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Editor’s note: The full version of this essay will be published in a new collection of essays: Natalia Ginzburg’s Global Legacies, edited by Stiliana Milkova Rousseva and Saskia Elizabeth Ziolkowski (Palgrave Macmillan, 2024). [1] For a long time Natalia Ginzburg avoided talking openly about her Jewish origins. She interrupted her silence, or rather, her . . .
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Countée Cullen, c.1927 Review of Countée Cullen’s Harlem Renaissance by Kevin A. Brown. Forthcoming in 2024 from Parlor Press. Will our life’s work be considered a lead melody or an accompanying harmony in the symphony of history? Does it matter if one plays first or fourth chair in the orchestra if we are talking . . .
Read MoreOne must have a mind of winter . . . —Wallace Stevens Have a beer in cold weather—just seeHow it counterintuitivelyWarms the blood with cold fireAs the winter transpires.If you try one of these, you’ll agree. 1.Here’s a bottle-fermented delight,For ’tis Trappist and English bedightWith rich, flavorful maltsThat Tynt Meadow exaltsWith a sweetness and spice . . .
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A Review of The Singularity by Balsam Karam, Translated from Swedish by Saskia Vogel (Feminist Press, January 2024) Split into three parts, all formally different, Balsam Karam, in The Singularity, writes a lyrical, moving, formally inventive narrative of motherhood in the wake of loss—of child, of home, of self. In the first part, a mother . . .
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A Review of Myriam J.A. Chancy, Harvesting Haiti. Reflections on Unnatural Disasters. Austin: University of Texas Press, 2023. If I weren’t invariably late with everything, this review would have been posted at 4:53 p.m. yesterday, January 12, 2023. Like most events that break time and begin a new calendar for some portion . . .
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