A review of Bianca by Eugenia Leigh (Four Way Books, 2023) “Trauma” and “grief,” or rather such shallow incarnations of serious psychological phenomena that they merit air quotes, have become trendy concepts in recent 21st century discourse and media. Movies and television use the traumatic past as a major plot revelation (The Matrix Resurrections, Succession, Yellowjackets), or . . .
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A Review of Under Our Skin, by Joaquim Arena, translated by Jethro Soutar (Unnamed Press, 2023) I like to say that Joaquim Arena’s memoir/travel narrative Under Our Skin, translated by Jethro Soutar and published by Unnamed Press, arrived to me at the perfect time, because I had been learning about extraordinary historical figures from . . .
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In another life, I join the hierophantsof New Jersey, drink petrochemical windsswirling across Route One, a new Delphi,speak their ethylene mysteries. Called back by my inexorable childhood, it becomesimpossible to ignore my sons’ own strangegifts: smokestacks stop smoking, chimneyfires burn green as pine trees, then flare out.—from “In Another Life,” Volume 65, . . .
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Seyyed Gholam Hossein Shabdari Kermani was blessed with a clitoris on his right nipple, or at least that was his pickup line. This is a story about him. At the raw age of five, he discovered pleasure while playing with a pink screwdriver in an empty garage, where his balding father and seven potbellied uncles played . . .
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A Review of I’ll Give You a Reason by Annell López (The Feminist Press, 2024) Annell López’ short story collection, I’ll Give You a Reason, brings us to the heart of the Ironbound, an immigrant neighborhood in Newark, New Jersey. These stories explore race, colorism, Blackness, identity, sex, and gentrification, among other topics. López gives . . .
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I think you’re still here sometimescalling to me like the thrush at duskinside the woods where I lose my way.I search for you like a ghost myselfin all the usual places, stand on the shorethis side of you and speak to the riverthat flows and stays, stays and flows.—from “This Side of . . .
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Years after it was over and he was gone, I would think of the unfortunate womanhe was living with now and engaged to marry. Poor woman with the face so pale and flat like a slide down a mountain rock. Poor plus-fifty bride-to-be with the voice . . .
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I would have liked to see myself going into the little room at the Café Boscán enraged and pistol in hand looking for his face facing some other face among the tables. He spoke wet, moldy words. I’d have stuck the barrel of the pistol to his forehead and, sublime as he . . .
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Congratulations to MICHAEL LAVERS, winner of this year’s Anne Halley Poetry Prize! Nathan McClain and Abigail Chabitnoy have selected Michael Lavers’ poem “Sun, Birds, and Leaves” from MR’s Summer 2023 issue (Vol. 64, Issue 2) for the prestigious prize. MICHAEL LAVERS is the author of After Earth and The Inextinguishable, both published by the University of Tampa Press. . . .
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Past Contributor and Current Prose in Translation editor Corine Tachtiris’s book of critical studies, Translation and Race, is out now with Routledge. The American Daughters is the latest novel from past contributor Maurice Carlos Ruffin. Out now from One World, Maurice’s story The Boy Who Would Be Oloye” was published in MR Vol. 56, . . .
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