On May 8th, MR and Amherst Books hosted our 2025 Anne Halley Poetry Prize winner Chard deNiord for a reading.
IN 1964, A SHORT STORY titled “Mississippi Ham Rider” appeared in the summer issue of the Massachusetts Review. Authored by a young writer named Toni Cade, the story follows Inez Williams, a copywriter who has traveled south to interview an old blues singer named Ham Rider. She has also been charged with . . .
This piece is excerpted from Media, Culture, and Decolonization: Re-righting the Subaltern Histories of Ghana, to be published on 9th December 2025 by Rutgers University Press. Even though Ghana Television (GTV) began transmission in 1965, it wasn’t until 1985 that Ghanaians had access to color television. And it was not until 1989 . . .
MISS TANG was a plump woman in her thirties and our seventh-grade homeroom teacher. She had a kind, matronly smile but sprung into tantrums over trifles. Her punishment of choice was meditation. After school, we’d sit at our desks with straight backs, knee-bound palms, and closed-tight eyes while Miss Tang surveilled us . . .
Katharina Volckmer’s second novel, Calls May Be Recorded (Two Dollar Radio, 9/16/25) is a fierce workplace satire that is bold in its exacting focus on those pushed to the margins of this century’s rapidly shifting labor market. It follows the protagonist Jimmie on a tragicomic gambol through a single day at a . . .
ALAN GROSTEPHAN is the author of The Banana Wars and Bogotá, a novel chosen by the Wall Street Journal as one of the best ten books of fiction in 2013 and longlisted for the Pen/Robert W. Bingham Prize. He is also the editor and translator of Stories of Life and Death, a collection of writing by emerging Colombian writers.
