Maria slinked in corners and stood next to objects that did not move, pretending that she was an object. She held on to her growing belly. It wouldn’t stop moving, wriggling like a worm exposed to the sun. She tried to wear bigger clothes, pretending that nothing was happening in the area . . .
Read More
The nanny Fidelia Córdoba kept her rhythm in her tetas. She’d been born on the banks of the River Sipí and she had bulging tetas, small and round like a pair of corozos, with retractile nipples that also had a sense of direction. They were all at once compass-sextant-weather-vane-plumb-line-quadrant-astrolabe-point-you-left-point-you-right, or wherever you . . .
Read More
Whenever my mom and dad were at the dinner table (the place of memorial and celebration, the place of conversation), I’d ask them about their days. I wanted to imagine their lives without me, their movements and rhythms when I was not there. What I was getting at, though I didn’t know . . .
Read More
I’m so in love with you all of a sudden, you machine angel. Angel machine. Because I am still learning your new smells. Plastic, salt, animal, finally and still thinking plastic, salt, animal, finally. Because you are letting me stand you up in the shower and wash your hair like you are . . .
Read More
Hannah doesn’t get on-campus housing for the summer, but she doesn’t want to go back to Missouri, back to her old life, back in time. The summer before, her first summer after starting college, she sat in basements sipping Budweiser as her formerly bookish friends swapped stories about frat parties. She sat . . .
Read More
Maybe it was a reaction to old age; it could be thathe resented retired life. But the ex-neurologist,amateur collector of oriental coins, had recently taken to scolding his poor wife for all that prayingunder her breath, Mashallah-this and Inshallah-that.—from “Mr.Kemal Questions God,” Volume 64, Issue 1 (Spring 2023) Tell us about one . . .
Read More
Photograph by Joanna Eldredge Morrissey I stay outstretched in a Novembercoat, not abundant and not wantingto be. A machine I own mistook shootings for students in a transcript, usheringme to tilt canals toward titles and curatehedges into pages.—from “Table of Contexts,” Volume 64, Issue 1 (Spring 2023) Tell us about one of . . .
Read More
Emergency crews got through a week after the storm. They cleared downed power lines and sawed through fallen trees, creating a way in and out and delivering food and water. But the heat was still off, and another storm was on the way, so Kate swept the prescription bottles into a bag . . .
Read More
I should ask my mom if the blue-plaid, pleated skirt I wore for a few years in my childhood was an off-the-rack item or if she made it in her sewing class. When I first got it, I would reserve it for special occasions, but as the novelty wore off I started . . .
Read More
If you give me half of what you brought to the stage last night, I’ll make you a record, girl. That’s what I tell Adriana. Her stage name is Adie Wells, but I’ve known her since monkey bars and hopscotch. She says, You goin’ think half when I blow a hole through this mic. I say, . . .
Read More