August 22, 2015 - by Jim Hicks
On The Stanford Prison Experiment (Part Two) (Back to Part One) A cooper, traditionally, made barrels. Also casks, buckets, tubs, butter churns, hogsheads, firkins, tierces, rundlets, puncheons, pipes, tuns, butts, pins, and breakers. Yet cooperage doesn’t end there. As the psychologist himself understands it, the central thesis of the 1971 Zimbardo study is precisely . . .
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August 20, 2015 - by Jim Hicks
On The Stanford Prison Experiment (Part One) The trailer for the film dramatization of The Stanford Prison Experiment concludes with words from the actor Billy Crudup, who plays the psychologist Philip Zimbardo. We first see Zimbardo hang down his head, then the film’s title appears, and then there is a shot of a desk in a . . .
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November 13, 2014 - By Michael Thurston
It is a truth (almost) universally acknowledged that experimental writing is emotionally arid, its brainy explorations of language and its commitment to difficulty wringing from the work any possibility of deep feeling as a reader works through the text. The wrongness of this assumption is obvious to anyone who has spent a . . .
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