Our America

Trump Papers 3

Trump Papers 3

NOT HAPPENING, an image from TRUMP PAPERS, a show of hand-painted broadsides by San Francisco artist Ward Schumaker, 20 October – 6 November 2018 at Jack Fischer Gallery. VOTE! Ward Schumakerfine art portfolio: https://ward-schumaker.squarespace.comtumblr images: http://wardschumaker.tumblr.cominstagram: http://wardschumaker.tumblr.com Trump Papers20 October – 6 November 2018Jack Fischer GallerySan Franciscowww.jackfischergallery.com

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Trump Papers 2

Trump Papers 2

DUST BIN, an image from TRUMP PAPERS, a show of hand-painted broadsides by San Francisco artist Ward Schumaker, 20 October – 6 November 2018 at Jack Fischer Gallery. VOTE! Ward Schumakerfine art portfolio: https://ward-schumaker.squarespace.comtumblr images: http://wardschumaker.tumblr.cominstagram: http://wardschumaker.tumblr.com Trump Papers20 October – 6 November 2018Jack Fischer GallerySan Franciscowww.jackfischergallery.com

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Trump Papers I

Trump Papers I

BOW DOWN, an image from Trump Papers, a show of broadsides painted by San Francisco artist Ward Schumaker Ward Schumaker:fine art portfolio: https://ward-schumaker.squarespace.comtumblr images: http://wardschumaker.tumblr.cominstagram: https://www.instagram.com/schumakerward/ Trump Papers 20 October – 6 November 2018Jack Fischer GallerySan Francisco www.jackfischergallery.com

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The Women and Children of Dilley, Part Five

The Women and Children of Dilley, Part Five

Drawing by Marcela Castro, from the video Drawings by Themselves: Portraits of America Read Part Four here. One Last Story Here’s a bipartisan idea: Declare MS-13 an international terrorist organization. It is. They could. Problem: they’d have to believe the women…and give them asylum. Maybe even stop punishing them in the iceboxes and the . . .

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The Women and Children of Dilley, Part Four

The Women and Children of Dilley, Part Four

Welcome sign in Dilley, Texas (wikimedia commons) Read Part Three here. Individual Stories As I reflect on the week in Dilley, the ongoing work I do here in the Bay Area, I wonder: Do individual stories matter anymore, outside the hearing room, that is, the courthouse, and only insofar as the boxes . . .

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The Women and Children of Dilley, Part Three

The Women and Children of Dilley, Part Three

Read Part Two here. Twisted Minds Before traveling to Dilley, I could not help but think of Oświęcim, the town that hosted the camp we know of as Auschwitz. I thought of the scene in Shoah when Lanzmann interviews a group of local residents about what they knew about the camp, about their neighbors . . .

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The Women and Children of Dilley, Part Two

The Women and Children of Dilley, Part Two

Photo from the Cara Pro Bono Project Read Part One here. Credible Fear In order for an American woman and her children imprisoned at the South Texas Residential Center—run by the private, for-profit, publicly traded CoreCivic Company (previously named Corrections Corporation of America, and whose motto is “Better the Public Good”)—to be released, . . .

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The Women and Children of Dilley, Part One

The Women and Children of Dilley, Part One

Photo from CARA Family Detention Pro Bono Project Kidnapped Kids Since the 2016 election, several of my local translator colleagues and I have been volunteering with Centro Legal de la Raza in Oakland, California, as legal interpreters. I have worked with asylum seekers to help them fill out forms (asylum application, work authorization, . . .

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Stop! In the Name of History

Stop! In the Name of History

(Photo by The Onion) Let’s get one thing straight about the Supremes. In this moment, where hope still springs for the defeat of Brett Kavanaugh’s nomination to the Supreme Court (hope that ought to be shared not only by those to the left of center but by anyone who cares about the rule . . .

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That Foreign Face

That Foreign Face

WHO IS THE FOREIGNER? In principle, everyone—according to the scriptures—beginning with Abraham, caught and held by a voice that orders him to take leave of his land, of the home of his father, and head off for an unidentified destination. Abraham must become a foreigner so he will continue to hear the . . .

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