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10 Questions for Margaret Wilkerson Sexton

10 Questions for Margaret Wilkerson Sexton

“Say, white girl,” Liana could hear the brown-skinned girl behind her whispering in the middle of Pre-algebra. She knew she was calling for her, even though Liana wasn’t white. At the old school, everybody knew Liana’s daddy was Creole, that her mother was light-skinned black. Also, at her old school, there had . . .

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10 Questions for Claire Schwartz

10 Questions for Claire Schwartz

—from “REDACTED” which appears in the Summer 2017 issue (Volume 58, Issue 2) Tell us about one of the first pieces you wrote.A CO[O]L CAT(My mama tells me I used numbers as decoration.) What writer(s) or works have influenced the way you write now?Solmaz Sharif for form as tactic. Ross Gay for . . .

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Reasons not to be a Russophobe: Part Three

Reasons not to be a Russophobe: Part Three

III Adding to the Archive In the Alexandrov Museum, they’re getting ready for the evening’s festivities. A young woman from here who married a top chef from France and lives in Paris was passing through town yesterday evening, and she promised to help with filing the documents. She speaks French perfectly, laughing . . .

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Reasons not to be a Russophobe: Part Two

Reasons not to be a Russophobe: Part Two

II Betrayal of the Homeland The occasion that brings us to Alexandrov is a small event with symbolic importance. I’m accompanying a writer friend who has brought documents for the archives of the Museum of the 101st Kilometer. During the ‘80s, Jil Silberstein—who is also a poet, a lover of Russian literature, and . . .

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Reasons not to be a Russophobe: Part One

Reasons not to be a Russophobe: Part One

I A Living Culture When you move from one place to another in Russia, you travel through time as well as space. As distance from the capital increases, you soon find you’ve moved several years, or even several decades, backwards. Or so I told myself as I left Moscow—that turgid, tentacled metropolis, . . .

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10 Questions for Joy Ladin

10 Questions for Joy Ladin

“My therapist says I’m afraid of vanishing.Last week his ceiling caved in, ending our sessionin a shower of words and water.I’m serious. I’m always seriouswhen I talk about therapists and cave-ins.”–from “Flourishing” which appears in the Spring 2017 issue (Volume 58, Issue 1) Tell us about one of the first pieces you’ve . . .

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Our America: Menstruation is Serious Business

[Ed. Note: Igiaba Scego first published this essay on the Tampon Tax, her most popular ever, in Italy’s Internazionale magazine on January 19, 2016. Since that time, an European Union measure against taxing femine hygiene products has been promised, and in the UK Parliament has passed legislation to eliminate their tampon VAT, due to go . . .

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10 Questions for Bernadette Geyer

10 Questions for Bernadette Geyer

“into it were pouredthe years that followedi’ll give you sugar for a good startas if you were a horse spursif earned. we still say that? treasurethe future, bedecked. we letit, i say to you: let it stick there!”–from “paper cone” which appears in the Spring 2017 issue (Volume 58, Issue 1) Tell . . .

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10 Questions for Ruth Madievsky

10 Questions for Ruth Madievsky

“I wish I knew the answer to the questionthe gutted, flipped-over caron Mulholland Drive is asking, or why the soundof fingers snappingfills my mouth with peanuts,the way I fill my mouth with peanuts at baseball gamesat county fairs and long shiftsat the pharmacy, when night hangsover the windowslike the kind of silk . . .

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Our America: Everything that Rises

Our America: Everything that Rises

In his debut novel, John Barth admonishes people who pause when the world presents them with coincidence: “Nature,” he observes, “seems at times fairly to club one over the head with significance.” The sun suddenly appears, to rhyme with our newfound hopes; the road to the cemetery is a one-way street. “The man. . . .

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