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A Response to the Literary Address by Cathy Schlund-Vials

A Response to the Literary Address by Cathy Schlund-Vials

The “tireless telling of alternative stories,” to echo Cathy Schlund-Vials’ words, is how Asian American literature combats xenophobia and closed-mindedness—the stubbornly repeated, and frankly boring, stories told by madmen. Asian Americans have many ways to tell our many stories. And, as we grow into our immense, unwieldy diversity as a social-political community, . . .

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Autumn Journal on Autumn Journal: 5

Autumn Journal on Autumn Journal: 5

Read Part Four here. “To-day was a beautiful day, the sky was a brilliantBlue” You probably remember where you were, what you were doing, when a brilliant blue September sky, the kind some of us look forward to throughout the hot and hazy end of August, was suddenly, strangely, riven by off-course . . .

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10 Questions for Kathleen Winter

10 Questions for Kathleen Winter

The famished ermine trimming the patron’s coat                         was meant as an emblem of wealth.                                                                                  Is this the real-time sorrow and how did Beurer bring it out      on the patrician’s face through brumal medieval afternoons                                                                         when they sit near each other as still as two lemons, —from “An Old Man in Great Trouble,” . . .

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Making Queer Worlds

Making Queer Worlds

A Review of The World That Belongs To Us: An Anthology of Queer Poetry from South Asia, edited by Aditi Angiras and Akhil Katyal (Harper Collins, 2020) “They say This world isn’t for youWhy then was I born into it, if it wasn’t for me.” These lines hit you like a gust of unforgiving . . .

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Local Life under Lockdown

Local Life under Lockdown

When the Massachusetts Review approached me to do a photo essay on local life under the COVID-19 lockdown, my first thought was, How could I possibly capture the pandemic? Could I physically do this? On March 5th, I had undergone rotator cuff surgery. Forty years of heavy cameras slung around my shoulders, the tools of . . .

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Autumn Journal on Autumn Journal: 4

Autumn Journal on Autumn Journal: 4

(Man Ray, Observatory Time: The Lovers [1936], detail) Read Part Three here. “September has come and I wake.” The calendar turns, and the new month is like a new day. After three beginnings in endings, Louis MacNeice offers a beginning at the beginning. Awakening from the dark night that has hung over the second . . .

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10 Questions for Matt Rinaldi

10 Questions for Matt Rinaldi

The days had been dry, rainless. And even without rain, there was green there, sprouting in the backyard. That’s what he was thinking about that day and what he was going to ask Dad when he got home. Why the green was sprouting there, right in front of the step where he . . .

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Decency

Decency

“I have here in my hand a list of two hundred and five people that were known to the Secretary of State as being members of the Communist Party and who nevertheless are still working and shaping the policy of the State Department.”-Senator Joseph R. McCarthy (Republican, Wisconsin) 09 February 1950 Having . . .

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“The Past Hovers Like Smoke”: John Balaban’s Empire

“The Past Hovers Like Smoke”: John Balaban’s Empire

A review of Empires by John Balaban (Copper Canyon Press 2019) In a John Balaban poem, random acts of both kindness and destruction happen in profusion, but what they fall upon is never nameless. A resourceful diction—plus a wry, casual mastery of metaphor—nail the scene. From “Cibolero”: “the rain, dropping its dark curtains…” . . .

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10 Questions for Jennifer Sperry Steinorth

10 Questions for Jennifer Sperry Steinorth

When one braids togethera horseand a fence it isn’t pretty:mangle of mane and wire, twisted legscedar splints. Once on a hillin a far countryI watched some horses across a dust road—from “Range,” Volume 61, Issue 2 (Summer 2020) Tell us about one of the first pieces you wrote.Hmmm. One piece, back in . . .

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