Anima Adjepong (Photo courtesy of the author) IN HER ACCEPTANCE SPEECH for the DNC’s nomination, Kamala Harris promised to secure the nation’s borders and to advance U.S. security and values abroad. She assured voters that under her leadership, America will have “the strongest, most lethal fighting force in the world.” The expansion . . .
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No form of art can express a life quite like the novel. No art form charts the lives of individuals—encounters, challenges, and relationships—as successfully as the book-length work of fiction. Perhaps this is because of the amount of detail provided for characters and their situations, which allows us to truly experience as they do, but . . .
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Jim, I expect you would be surprised that your death affected me so much, that I spoke at two services for you, that I am writing about you now. We were friends, but we had not stayed in touch. So, it surprises me too. But you were a friend to me during . . .
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It is ludicrous that keynote speakers for a party campaigning on freedom and democracy would be silent about the genocide in Gaza, where Palestinians are being subjected to daily bombardment and unimaginable suffering. It’s infuriating that the DNC would ignore the children of Gaza, who are being starved at the fastest rate . . .
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Profile of a solitary man, in shirt sleeves, whose pose ofsharpening a blade suggests he is a knife grinder. Oftencalled The Spy, since he seems to be listening to some-thing attentively, it is thought to depict the man whodiscovered the Catiline conspiracy; at other times of dayhe appears to be Cincinnatus, at . . .
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Jim Foley with staff and graduating students at the Care Center in Holyoke. From left to right: Irma Medina (Care Center staff), Glenda Suarez (Care Center graduate and teen mom), Jim Foley, Aimee Loiselle (English GED Teacher), and Maria Salgado (Care Center Transition Counselor). Photo courtesy of the Care Center. Today is . . .
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Dancers from Emma Cianchi’s ArtGarageDanceCo. Front: Tonia Laterza, Gaia Mentaglia; Back: Maria Anzivino, Pearl May Hubert. Photo courtesy of Jacob’s Pillow. Editor’s note: As will be clear, the following conversation with the Massachusetts Review’s Executive Editor, Jim Hicks, and the co-editor of our “Mediterraneans” issue, Anna Botta, was conducted just hours before the première . . .
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A Review of Fadi Azzam, Huddud’s House. Translated by Ghada Alatrash. Northampton: Interlink Publishing, 2024. What does it mean to truly belong? Is it the soil beneath our feet? Or is it the echoes of our memories, the whispers of our ancestors, and the silent pull of our heritage? In a world fractured . . .
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As the sharpened sword beheads the two-headed serpent,I shun the crude laughter and gossip of the mortal world.Thousands of autumns of virtue and vice are buried in the yellow of the earth,Under the sunny . . .
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I have crossed an oceanI have lost my tongueFrom the root of the old oneA new one has sprung Epilogue, Grace Nichols (Please donate to the Grenada Disaster Fund) Caribbean hybrid identities are characterized by survival and creativity out of monumental loss, including various languages from Arawakan, to Patois to Kreyòl. But very rarely are Caribbean people . . .
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